Taking a DNA genetic ethnicity test: Are you who you think you are?

I decided to try Ancestry.com’s DNA test recently, mainly out of curiosity and because I don’t know much about my ancestors. The test costs $100 and is super easy – you just send away for a test kit, spit into a tube, send it to the company, and a few weeks later you get the results online. Here are my results:

A graphical representation of my DNA!

A graphical representation of my DNA!

It says I’m 81% European Jewish (no surprise there), 8% Persian/Turkish/Caucasus, and 6% Finnish/Volga-Ural. I had no idea about the last two. My main complaint is that “European Jewish” is such a broad group – according to the results, it includes Ashkenazi, Sephardic, and other Jewish populations – although if you go by the map representation, it looks mostly Ashkenazi (Eastern European). That’s a little confusing. I was hoping the results would be more specific. It also provides a list of people who are possible DNA matches and may be long-lost cousins, which is interesting, but I’m not really sure how that works. I also thought it was funny that the first line in their “European Jewish” page is, “The bagel was brought to and popularized in the United States by Ashkenazi Jewish immigrants.” Really? Is that the most interesting factoid they could come up with?

In any event, the test was worth doing and has definitely made me think more about my ancestry. I’ve started creating a family tree, also through Ancestry.com, and I’m planning on asking my relatives to help me fill in the branches.


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The Dura Europos Synagogue

My article on the Dura Europos synagogue has been published by Shofar: An Interdisciplinary Journal of Jewish Studies.  Dura Europos was an ancient Roman city in modern-day Syria, destroyed by the Sassanians in the third century CE.  It contained many houses of worship, including a synagogue that was covered in paintings of biblical scenes. These wall paintings are now in a museum in Damascus.

My article is about the inclusion of scenes of violence and warfare in the synagogue paintings. Dura Europos was the site of a Roman garrison and was located between two warring empires, so the Jews who lived there were probably familiar with such sights. Some of them may even have served in the army. Take a look at this bloody scene, the Battle of Eben-Ezer, from the Dura Europos synagogue.

Battle of Eben-Ezer, Dura Europos synagogue

The crux of my argument is this:

One issue regarding the wall paintings that has received little attention, however, is if and how the militarism of Dura-Europos influenced their iconography. Ben Zion Rosenfeld and Rivka Potchebutzky have examined the relationship between the Jewish community and the military garrison at Dura, but they are largely silent on the subject of art in the synagogue. In the surviving paintings, there is only one panel that clearly depicts a scene of war: that of the Battle of Eben-Ezer, described in Book I of Samuel. However, there are numerous images that refer to warfare indirectly, such as those showing men in armor, acts of violence, and scenes of carnage and destruction. The prevalence of such imagery could signify the Durene Jews’ awareness of the danger of living on the border between two powerful empires. They may have witnessed real-life carnage and likely heard tales of battles that took place close to home. They lived in close proximity to the garrison and probably saw soldiers on a daily basis. It is also possible that some of the Jews living in Dura were active participants in the Roman army. Scholars accept that other temples in the city, such as the mithraeum and the Temple of Bel, served the spiritual needs of Roman soldiers. But they rarely ask whether the synagogue could have served a similar purpose.


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